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《常设生活空间》主题论述

文/郑龙一海


“生活空间”就是咱们一样平常起居的场合,现在咱们大局部人都生涯在一个配套完美的古代化社区情况之中。然而在高速古代化过程的当下,依然有少局部人居无定所。由于房地产的价钱飙涨,本来是寓居属性的屋子,酿成了相似银行存款涨息的资产。局部人们别提购置房,就连租房的资金都无奈付出,而在北上广深等一线都会的商品房,良多都是空空置的。

我拍摄的所在在海内绝对富饶的广东珠三角地域,迫于事实住房压力而栖居郊区户外搭建棚屋的人们,我称之为“常设生活空间”搭建者,他们基础都是外来务工职员、低收入者、流落者。在此我不想用主流媒体话语“底层职员”来描述他们。在阶层重大分化确当下,我的观点和态度是盼望大家同等的,但“大家同等”在寓居层面不是事实。因此我不展现他们的肖像,他们不爱好面临镜头,愈加畏惧媒体的报道。在郊区的闲置地皮,未经官方允许擅自搭建居处,可被城管职员界说为合法行动,一经发明则停止驱赶。

我在原野考察教养任务的进程中,一直发明这种常设搭建棚屋,当隔一段时光再去回访时,他们曾经迁移了。这是由一系列庞杂性要素而形成的景象。因本人作为一般集体的有力,我不晓得该怎样去辅助他们,这点十分困扰我。于是编纂这个记载拍照专题-《常设生活空间》,盼望能激发社会保证机构、低收入寓居收留所、各社区义工等相干机构与人士的存眷与辅助。

我经由过程与他们的攀谈,“常设生活空间”搭建者由于常识的壁垒,他们连社会保证机构的请求机制都不晓得。

“Living space” is where we live for our daily life. Nowadays most of us live in awell-equipped modern community. However, some people are still homeless even in such a fast-developing society. Because the soaring house price is turning the accommodation for residential purpose into an asset to earn profit. Some people can’t even afford to rent an accommodation let alone buying one while many commercial houses in top cities like Beijing, Shanghai, Guangzhou and Shenzhen are empty.

I took my photos in places of Guangdong Pearl River Delta, where relatively rich people live, but even in those area, some people still have to live in shacks in the suburb. Those “temporary living space builder” are mainly migrant workers, low-income workers and vagrants. I didn’t choose the word “bottom people” which was commonly used by mainstream media as I hold the idea that “Everyone is equal”. Unfortunately, it is not always true especially when the society is increasing divided by the rich and poor. I don't show their portraits because they don’t want to be exposed by media and another reason is that it’s illegal to build accommodations without the official permission and they would lose their home once being discovered.

I found a lot of these temporary shacks during my field investigation and teaching work. But the owner had already moved to other places when I wanted to visit them several months later. This phenomenon is caused by a series of complex factors. I feel sad as what I could do is little. That’ s why I chose "temporary living space" as the topic of my photos - hoping to catch the attention from social security agencies, low-income housing shelters, community volunteers and other related institutions and groups.

The “temporary living space builders” don’t even know how to apply for social security because of their limited knowledge.

郑龙一海, 1988生于中国广东阳江市, 2012年结业于广州美术学院油画系,现在就读于广州美术学院试验艺术系研讨生,2018年参加荷兰阿姆斯特丹新星星艺术奖驻地名目,访学欧洲。重要创作方法包含:绘画、拍照、手工书、静态影像等。其作品曾展出于本日美术馆、南京艺术学院美术馆、中国美术学院美术馆、喜玛拉雅美术馆、21世纪民生美术馆、广东美术馆、广州美术学院美术馆、三影堂拍照艺术核心、中国连州国际拍照年展、集美阿尔勒国际拍照季、荷兰阿姆斯特丹AAF艺术展览会等。重要奖项: 新星星艺术场大奖; 折桂枝2014中国新锐绘画奖。曾取得2015中国新锐拍照“New Talent Award”提名奖; 2015三影堂拍照提名奖、2017 Inter-Youth国际青年绘画奖等。

Dragon Zheng, born in Guangdong province in 1988, graduated from Guangzhou Academy of Fine Arts in 2012. He is now a postgraduate student in School of Experimental Art. As a member of the artist-cultivating program, he visited Netherland and other European countries in 2018. His artworks including paintings, photos, handmade books, and videos have been shown in Guangdong Museum, CAA Art Museum,AMNUA, Today Art Museum and so on. He has been awarded New Star Top Award (Today Art Museum 2014); Chinese New Painting Award (Beijing 2014) Inter-Youth Painting Award in 2017 and nominated in both Chinese New Talent Photography Award and Three Shadows Photography Award in 2015.

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